Whoever had the idea to put this metal cage design, featuring the name of Elliott Street, needs a pat on the back. I like it. In the midst of i9nner city blandness, this is uncommon cool.
The corner of Wellesley and Elliott Streets belongs to Smith & Caughey, the venerable firm of drapers, perfume sellers -- virtually everything for the Aucklander with class. The early 1900s building constructed to give the firm an entry to Elliott Street still survives.
"The construction in the early 1900s of a third three-storey building on the open yard at the rear of the former warehouse gave customers access to the store from Elliott Street. It also increased the overall floor space to almost three acres, making Smith & Caughey's one of the largest retail establishments in the country at that time." (Cecilie Geary, Celebrating 125 years 1880-2005, Smith & Caughey's, p. 28)
But next to it, replacing the old Fullers Opera House in the 1920s, is Roy Lippincott's contribution to the complex -- one of my favourite inner city buildings. With Category 1 classification from the Historic Places Trust, no less.
I'd always thought the whole building was Lippincott's design, up until now. But the very top comes from a later design, and another architect.
"The tallest and most decorative of the Smith & Caughey's buildings, the Lippincott extension had six storeys. The three lower floors were used for trading while those above housed the company's offices, an independently owned hairdressing salon, and social club for ladies called the Lyceum Club ... If the Lippincott Building had a design flaw it was the flat tiled roof of the Lyceum Club, which leaked badly causing considerable damage to the floors below ... There were two solutions to the problem: a new roof or another storey. The company chose the latter and seventh floor, designed by Auckland architect David Swan, was erected in 1967 at a cost of $92,000." (Geary, pp. 29-30)
Still, that 1967 addition has really added an extra quality to the building, I think.